Syncopations is an analysis of the sustaining vitality behind contemporary American poetry from 1975 to the present day by one of the most astute observers and critics in the field. The 12 essays reflect Jed Rasula's nearly 30 years of advocacy on behalf of "opening the field" of American poetry. From the Beats and the Black Mountain poets in the 1950s and 1960s to the impact of language poetry, the specter of an avant-garde has haunted the administrative centers of poetic conservatism. But the very concept of avant-garde is misleading, implying organized assault. Incentives for change can be traced to other factors, including the increased participation of women, critical theory's self-reflection, and a growing interest in the book as a unit of composition. Syncopations addresses these and other issues evident in the work of such poets and critics as Clayton Eshleman, Marjorie Perloff, Ronald Johnson, Clark Coolidge, Nathaniel Mackey, and Robin Blaser. Its chapters range in modes and include close readings, sociological analysis, philosophical-aesthetic meditations, and career appraisals. By examining both exemplary innovators and the social context in which innovation is either resisted, acclaimed, or taken for granted, Rasula delivers an important conceptual chronicle of the promise of American poetry.
About the Author :
Jed Rasula has contributed to Syncopations: The Stress of Innovation in Recent American Poetry as an author.
Jed Rasula is the author of Tabula Rasula: being a book of audible visual matters (1986), editor of the poetry magazine Wch Way (1976-83), and concocted Imagining Language with Steve McCaffery 1998). Author also of numerous scholarly books and articles, Rasula taught at Queen's University in Kingston Ontario from 1990-2001, departing (unsuccessfully) on September 11, 2001, to take up his current position as Helen S. Lanier Distinguished Professor at the University of Georgia, deep (very deep) in the Bible Belt.
|Title:||Syncopations: The Stress of Innovation in Recent American Poetry||Publisher:||University Alabama Press|
|No. of Pages:||296|
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