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This volume marks the exhibition 'Cambridge Music Manuscripts, 900-1700', mounted in the Fitzwilliam Museum in 1982.... more
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This volume consists of original papers first read at King's College, Cambridge, in 1979 at an international conference on medieval... more
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Early Music History is devoted to the study of music from the early Middle Ages to the end of the... more
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Early Music History is devoted to the study of music from the early Middle Ages to the end of the... more
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Viewed traditionally, the history of sixteenth-century Mantuan music is almost a catalogue of some of the most distinguished composers of... more
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This wide-ranging study vividly presents the major events that took place in Venice in the 1570s, culminating in a deadly... more
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Peter Williams ,
Iain Fenlon ,
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How did the organ become a church instrument? How did it develop from an outdoor, Mediterranean noisemaker to an instrument... more
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Mark Everist ,
Iain Fenlon ,
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This is the first full-length study of the vernacular motet in thirteenth-century France. The motet was the most prestigious type... more
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Iain Fenlon
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In this illustrated study, Iain Fenlon examines the impact of the spread of printing on the publication of music in... more
Iain Fenlon is Reader in Historical Musicology at the University of Cambridge and the editor of Early Music History. His publications include: Music and Patronage in Sixteenth-Century Mantua; The Early Sixteenth Century Madrigal (with James Haar); The Song of the Soul: Understanding 'Poppea' (with Peter Miller); Music, Print and Culture in Renaissance Italy; and Music, Ceremony and Identity in Counter-Reformation Venice (forthcoming, Yale University Press). ...